{"id":725,"date":"2024-09-04T15:04:17","date_gmt":"2024-09-04T13:04:17","guid":{"rendered":"https:\/\/alcobaca-caldas2024.aic-iac.org\/?page_id=725"},"modified":"2024-09-12T14:27:16","modified_gmt":"2024-09-12T12:27:16","slug":"","status":"publish","type":"page","link":"https:\/\/alcobaca-caldas2024.aic-iac.org\/pt\/lectures-panel-discussions\/","title":{"rendered":"","raw":""},"content":{"rendered":"","protected":false,"raw":""},"excerpt":{"rendered":"","protected":false,"raw":""},"author":2192,"featured_media":942,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_en_post_content":"\r\n\r\n\r\n
\r\n[caption id=\"attachment_942\" align=\"alignnone\" width=\"1520\"]\"\" Inside Bela Silva's workshop. \u00a9 Bela Silva[\/caption]\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n
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\u00a0<\/h3>\r\n

Panel discussions<\/h3>\r\n

Panel discussions are moderated discussions of 3 speakers and one moderator around a sub-theme. The moderator will introduce the sub-theme and give context for each speaker to expand on their given topic. Time will be dedicated to a common moderated discussion and Q&A between the speakers and the audience.<\/p>\r\n<\/td>\r\n<\/tr>\r\n

* Please note that the information on this page is subject to modifications and updates.<\/span><\/td>\r\n<\/tr>\r\n
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\"\"<\/p>\r\n

Jaume Coll<\/h3>\r\n

Moderator for sub-theme \"Ceramic Confluences in the Mediterranean: A Historical View\"<\/p>\r\n

Jaume Coll biography<\/span><\/a><\/p>\r\n<\/td>\r\n

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\"\"<\/p>\r\n

Isabel Fern\u00e1ndez del Moral<\/h3>\r\n

Moderator for sub-theme \"Ceramics in Contemporaneity: Reality, Relations and Confrontations in the Mediterranean World\"<\/p>\r\n

Isabel Fern\u00e1ndez del Moral biography<\/span><\/a><\/p>\r\n<\/td>\r\n<\/tr>\r\n

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SUB-THEME 1: \"Ceramic Confluences in the Mediterranean: A Historical View\"<\/h3>\r\n<\/td>\r\n<\/tr>\r\n

\"\"<\/td>\r\n\r\n

Rosa Varela Gomes<\/h3>\r\n

Presentation Title: \"Mediterranean contributions to table and display ceramics, during the Middle Ages, in Southern Portugal\"<\/p>\r\n

The Mediterranean has historically connected diverse communities, enabling the exchange of ideas, news, and artefacts like ceramics. This presentation delves into the ceramics that arrived in the Iberian Peninsula, particularly in modern-day Portugal, between the 8th and 15th centuries, and how they shaped local traditions. It explores the varied forms and decorations of these ceramics, influenced by their functionality, available materials, and evolving tastes, as well as how they inspired new local production centers and unique regional styles documented in the archaeological record.<\/p>\r\n

Rosa Varela Gomes biography<\/span><\/a><\/p>\r\n<\/td>\r\n<\/tr>\r\n

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\"\"<\/p>\r\n<\/td>\r\n

\r\n

Helena Gon\u00e7alves Pinto<\/h3>\r\n

Presentation Title: \u201cCeramics and Thermalism: Itinerary and Imaginary\"<\/p>\r\n

This lecture explores the vital role of ceramics in thermal culture from the Middle Ages to the present day, highlighting its impact on architecture, scientific advances and artistic expression. It examines the evolution of ceramic applications in thermal baths, palaces, hotels and gardens, where materials and textures create unique atmospheres. The discussion also focuses on the world's oldest thermal hospital in Caldas da Rainha, and emphasises the integration of this heritage into global networks, promoting appreciation, innovation and cultural exchange.<\/p>\r\n

Helena Gon\u00e7alves Pinto biography<\/span><\/a><\/p>\r\n<\/td>\r\n<\/tr>\r\n

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\"\"<\/p>\r\n<\/td>\r\n

\r\n

Salvador Haro<\/h3>\r\n

Presentation Title: \"Picasso, Ceramics and the Mediterranean\"<\/p>\r\n

In this lecture, Salvador Haro explores Pablo Picasso's engagement with ceramics, highlighting his profound understanding of Mediterranean ceramic traditions and how he balanced modernity with tradition. Picasso's ceramic works reflect key elements of Cubism, such as dimensional shifts and the interplay between reality and representation, while also drawing inspiration from classical antiquity, Spanish Hispano-Arabic ceramics, and popular Mediterranean traditions. By blending these influences, Picasso made his avant-garde concepts more accessible, emerging as a pivotal figure in the evolution of modern ceramics.<\/p>\r\n

Salvador Haro biography<\/span><\/a><\/p>\r\n<\/td>\r\n<\/tr>\r\n

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SUB-THEME 2: \"Ceramics in Contemporaneity: Reality, Relations and Confrontations in the Mediterranean World\"<\/h3>\r\n<\/td>\r\n<\/tr>\r\n

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\"\"<\/p>\r\n<\/td>\r\n

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Bela Silva<\/h3>\r\n

Presentation Title: \"Paving the Way\"<\/p>\r\n

The presentation delves into the enriching yet challenging journey of creating art across international borders, profoundly influenced by a variety of diverse cultures. It reflects on how these global experiences have shaped and enriched the artist's work. By exploring her multidisciplinary approach, the presentation highlights her extensive exhibition history, including notable shows in prestigious venues around the world. Additionally, it underscores her collaborative efforts with architects and brands, illustrating how these partnerships have further expanded and diversified her artistic practice.<\/p>\r\n

Bela Silva biography<\/span><\/a><\/p>\r\n<\/td>\r\n<\/tr>\r\n

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\"\"<\/p>\r\n<\/td>\r\n

\r\n

Ossama Emam<\/h3>\r\n

Presentation Title: To be confirmed.<\/p>\r\n

In this presentation, Ossama Emam explores the ancient techniques behind the metallic reflections and lustre in Egyptian ceramics, revealing the materials and processes used to create these shimmering glazes and examining the cultural significance and artistic evolution of these traditions, highlighting their impact on Egypt's ceramic heritage.<\/p>\r\n

Ossama Emam biography<\/span><\/a><\/p>\r\n<\/td>\r\n<\/tr>\r\n

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\"\"<\/p>\r\n<\/td>\r\n

\r\n

Shamai Gibsh<\/h3>\r\n

Presentation Title: \"Cultural Heritage: Contemporary Interpretation of Mediterranean Traditions Using Terra Sigillata & Luster\"<\/p>\r\n

Shamai Gibsh's presentation explores the evolution of pottery techniques from ancient times to contemporary practices, focusing on the Beit Yerah site's early terra sigillata methods and the development of luster techniques from Egypt to the Iberian Peninsula. The work connects these traditions to the artist's own practice, which transforms clay into conceptual objects that balance abstraction and form. Employing ancient Hellenistic and luster techniques, the artist experiments with wild clay from around the world, continuing the innovation in these time-honored practices.<\/p>\r\n

Shamai Gibsh biography<\/span><\/a><\/p>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n

 <\/p>","_en_post_name":"lectures-panel-discussions","_en_post_excerpt":"Panel discussions are an important part of exploring the Congress theme in greater depth.","_en_post_title":"Panel Discussions","_fr_post_content":"\r\n\r\n\r\n
\r\n[caption id=\"attachment_942\" align=\"alignnone\" width=\"1520\"]\"\" Inside Bela Silva's workshop. \u00a9 Bela Silva[\/caption]\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n
\r\n

\u00a0<\/h3>\r\n

D\u00e9bats d'experts<\/h3>\r\n

Les d\u00e9bats d'experts (discussion en panel) sont des discussions mod\u00e9r\u00e9es entre trois intervenant\u00b7e\u00b7s et un\u00b7e mod\u00e9rateur\u00b7rice autour d'un sous-th\u00e8me. Le\u00b7la mod\u00e9rateur\u00b7rice introduira le sous-th\u00e8me et donnera le contexte pour que chaque orateur\u00b7rice puisse d\u00e9velopper son sujet. Un temps sera consacr\u00e9 \u00e0 une discussion mod\u00e9r\u00e9e commune et \u00e0 des questions-r\u00e9ponses entre les orateur\u00b7rice\u00b7s et le public.<\/p>\r\n<\/td>\r\n<\/tr>\r\n

* Please note that the information on this page is subject to modifications and updates.<\/span><\/td>\r\n<\/tr>\r\n
\r\n

\"\"<\/p>\r\n

Jaume Coll<\/h3>\r\n

Mod\u00e9rateur pour le sous-th\u00e8me \"Ceramic Confluences in the Mediterranean: A Historical View\"<\/p>\r\n

Biographie de Jaume Coll<\/span><\/a><\/p>\r\n<\/td>\r\n

\r\n

\"\"<\/p>\r\n

Isabel Fern\u00e1ndez del Moral<\/h3>\r\n

Mod\u00e9ratrice pour le sous-th\u00e8me \"Ceramics in Contemporaneity: Reality, Relations and Confrontations in the Mediterranean World\"<\/p>\r\n

Biographie d'Isabel Fern\u00e1ndez del Moral<\/span><\/a><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

SOUS-TH\u00c8ME 1: \"Confluences c\u00e9ramiques en M\u00e9diterran\u00e9e : Une vue historique\"<\/h3>\r\n<\/td>\r\n<\/tr>\r\n

\"\"<\/td>\r\n\r\n

Rosa Varela Gomes<\/h3>\r\n

Titre de la pr\u00e9sentation : \"Mediterranean contributions to table and display ceramics, during the Middle Ages, in Southern Portugal\"<\/p>\r\n

La M\u00e9diterran\u00e9e a historiquement reli\u00e9 diverses communaut\u00e9s, permettant l'\u00e9change d'id\u00e9es, de nouvelles et d'artefacts tels que les c\u00e9ramiques. Cette pr\u00e9sentation se penche sur les c\u00e9ramiques arriv\u00e9es dans la p\u00e9ninsule ib\u00e9rique, en particulier dans l'actuel Portugal, entre le VIIIe et le XVe si\u00e8cle, et sur la mani\u00e8re dont elles ont fa\u00e7onn\u00e9 les traditions locales. Elle explore les formes et les d\u00e9corations vari\u00e9es de ces c\u00e9ramiques, influenc\u00e9es par leur fonctionnalit\u00e9, les mat\u00e9riaux disponibles et l'\u00e9volution des go\u00fbts, ainsi que la mani\u00e8re dont elles ont inspir\u00e9 de nouveaux centres de production locaux et des styles r\u00e9gionaux uniques document\u00e9s dans les archives arch\u00e9ologiques.<\/p>\r\n

Biographie de Rosa Varela Gomes<\/span><\/a><\/p>\r\n<\/td>\r\n<\/tr>\r\n

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\"\"<\/p>\r\n<\/td>\r\n

\r\n

Helena Gon\u00e7alves Pinto<\/h3>\r\n

Titre de la pr\u00e9sentation : \u201cCeramics and Thermalism: Itinerary and Imaginary\"<\/p>\r\n

Cette conf\u00e9rence explore le r\u00f4le vital de la c\u00e9ramique dans la culture thermale, du Moyen \u00c2ge \u00e0 nos jours, en soulignant son impact sur l'architecture, les avanc\u00e9es scientifiques et l'expression artistique. Elle examine l'\u00e9volution des applications de la c\u00e9ramique dans les thermes, les palais, les h\u00f4tels et les jardins, o\u00f9 les mat\u00e9riaux et les textures cr\u00e9ent des atmosph\u00e8res uniques. La discussion porte \u00e9galement sur le plus ancien h\u00f4pital thermal du monde, \u00e0 Caldas da Rainha, et met l'accent sur l'int\u00e9gration de ce patrimoine dans les r\u00e9seaux mondiaux, en promouvant l'appr\u00e9ciation, l'innovation et l'\u00e9change culturel.<\/p>\r\n

Biographie d'Helena Gon\u00e7alves Pinto<\/span><\/a><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

\"\"<\/p>\r\n<\/td>\r\n

\r\n

Salvador Haro<\/h3>\r\n

Titre de la pr\u00e9sentation : \"Picasso, Ceramics and the Mediterranean\"<\/p>\r\n

Dans cette conf\u00e9rence, Salvador Haro explore l'engagement de Pablo Picasso dans la c\u00e9ramique, en soulignant sa profonde compr\u00e9hension des traditions c\u00e9ramiques m\u00e9diterran\u00e9ennes et la mani\u00e8re dont il a \u00e9quilibr\u00e9 modernit\u00e9 et tradition. Les \u0153uvres en c\u00e9ramique de Picasso refl\u00e8tent des \u00e9l\u00e9ments cl\u00e9s du cubisme, tels que les changements de dimension et l'interaction entre la r\u00e9alit\u00e9 et la repr\u00e9sentation, tout en s'inspirant de l'antiquit\u00e9 classique, de la c\u00e9ramique hispano-arabe et des traditions populaires m\u00e9diterran\u00e9ennes. En m\u00e9langeant ces influences, Picasso a rendu ses concepts avant-gardistes plus accessibles, s'imposant comme une figure centrale dans l'\u00e9volution de la c\u00e9ramique moderne.<\/p>\r\n

Biographie de Salvador Haro<\/span><\/a><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

SOUS-TH\u00c8ME 2: \"La c\u00e9ramique dans la contemporan\u00e9it\u00e9 : R\u00e9alit\u00e9, relations et confrontations dans le monde m\u00e9diterran\u00e9en\"<\/h3>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

\"\"<\/p>\r\n<\/td>\r\n

\r\n

Bela Silva<\/h3>\r\n

Titre de la pr\u00e9sentation : \"Paving the Way\"<\/p>\r\n

La pr\u00e9sentation se penche sur le parcours \u00e0 la fois enrichissant et difficile de la cr\u00e9ation artistique \u00e0 travers les fronti\u00e8res internationales, profond\u00e9ment influenc\u00e9e par une vari\u00e9t\u00e9 de cultures diverses. Elle montre comment ces exp\u00e9riences internationales ont fa\u00e7onn\u00e9 et enrichi le travail de l'artiste. En explorant son approche pluridisciplinaire, la pr\u00e9sentation met en lumi\u00e8re son vaste historique d'expositions, y compris des expositions notables dans des lieux prestigieux du monde entier. En outre, elle souligne ses efforts de collaboration avec des architectes et des marques, illustrant la mani\u00e8re dont ces partenariats ont \u00e9largi et diversifi\u00e9 sa pratique artistique.<\/p>\r\n

Biographie Bela Silva<\/span><\/a><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

\"\"<\/p>\r\n<\/td>\r\n

\r\n

Ossama Emam<\/h3>\r\n

Titre de la pr\u00e9sentation : A confirmer.<\/p>\r\n

Dans cette pr\u00e9sentation, Ossama Emam explore les techniques anciennes \u00e0 l'origine des reflets m\u00e9talliques et de l'\u00e9clat des c\u00e9ramiques \u00e9gyptiennes, r\u00e9v\u00e9lant les mat\u00e9riaux et les proc\u00e9d\u00e9s utilis\u00e9s pour cr\u00e9er ces gla\u00e7ures chatoyantes et examinant la signification culturelle et l'\u00e9volution artistique de ces traditions, soulignant leur impact sur le patrimoine c\u00e9ramique de l'\u00c9gypte.<\/p>\r\n

Biographie d'Ossama Emam<\/span><\/a><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

\"\"<\/p>\r\n<\/td>\r\n

\r\n

Shamai Gibsh<\/h3>\r\n

Titre de la pr\u00e9sentation : \"Cultural Heritage: Contemporary Interpretation of Mediterranean Traditions Using Terra Sigillata & Luster\"<\/p>\r\n

La pr\u00e9sentation de Shamai Gibsh explore l'\u00e9volution des techniques de poterie depuis les temps anciens jusqu'aux pratiques contemporaines, en se concentrant sur les premi\u00e8res m\u00e9thodes de terra sigillata du site de Beit Yerah et sur le d\u00e9veloppement des techniques de lustrage depuis l'\u00c9gypte jusqu'\u00e0 la p\u00e9ninsule ib\u00e9rique. L'\u0153uvre relie ces traditions \u00e0 la propre pratique de l'artiste, qui transforme l'argile en objets conceptuels \u00e9quilibrant l'abstraction et la forme. Utilisant les anciennes techniques hell\u00e9nistiques et de lustrage, l'artiste exp\u00e9rimente avec de l'argile sauvage provenant du monde entier, poursuivant ainsi l'innovation dans ces pratiques ancestrales.<\/p>\r\n

Biographie de Shamai Gibsh<\/span><\/a><\/p>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n

 <\/p>","_fr_post_name":"lectures-panel-discussions","_fr_post_excerpt":"Les d\u00e9bats d'experts (discussions en panel) repr\u00e9sentent une partie importante de l'approfondissement du th\u00e8me du Congr\u00e8s.","_fr_post_title":"D\u00e9bats d'experts","_pt_post_content":"","_pt_post_name":"","_pt_post_excerpt":"","_pt_post_title":"","edit_language":"pt","footnotes":""},"class_list":["post-725","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/alcobaca-caldas2024.aic-iac.org\/pt\/wp-json\/wp\/v2\/pages\/725","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/alcobaca-caldas2024.aic-iac.org\/pt\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/alcobaca-caldas2024.aic-iac.org\/pt\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/alcobaca-caldas2024.aic-iac.org\/pt\/wp-json\/wp\/v2\/users\/2192"}],"replies":[{"embeddable":true,"href":"https:\/\/alcobaca-caldas2024.aic-iac.org\/pt\/wp-json\/wp\/v2\/comments?post=725"}],"version-history":[{"count":21,"href":"https:\/\/alcobaca-caldas2024.aic-iac.org\/pt\/wp-json\/wp\/v2\/pages\/725\/revisions"}],"predecessor-version":[{"id":1133,"href":"https:\/\/alcobaca-caldas2024.aic-iac.org\/pt\/wp-json\/wp\/v2\/pages\/725\/revisions\/1133"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/alcobaca-caldas2024.aic-iac.org\/pt\/wp-json\/wp\/v2\/media\/942"}],"wp:attachment":[{"href":"https:\/\/alcobaca-caldas2024.aic-iac.org\/pt\/wp-json\/wp\/v2\/media?parent=725"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}