Panel Discussions
![]() Inside Bela Silva’s workshop. © Bela Silva |
Panel discussionsPanel discussions are moderated discussions of 3 speakers and one moderator around a sub-theme. The moderator will introduce the sub-theme and give context for each speaker to expand on their given topic. Time will be dedicated to a common moderated discussion and Q&A between the speakers and the audience. |
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* Please note that the information on this page is subject to modifications and updates. | |
Jaume CollModerator for sub-theme “Ceramic Confluences in the Mediterranean: A Historical View” |
Isabel Fernández del MoralModerator for sub-theme “Ceramics in Contemporaneity: Reality, Relations and Confrontations in the Mediterranean World” |
SUB-THEME 1: “Ceramic Confluences in the Mediterranean: A Historical View” |
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Rosa Varela GomesPresentation Title: “Mediterranean contributions to table and display ceramics, during the Middle Ages, in Southern Portugal” The Mediterranean has historically connected diverse communities, enabling the exchange of ideas, news, and artefacts like ceramics. This presentation delves into the ceramics that arrived in the Iberian Peninsula, particularly in modern-day Portugal, between the 8th and 15th centuries, and how they shaped local traditions. It explores the varied forms and decorations of these ceramics, influenced by their functionality, available materials, and evolving tastes, as well as how they inspired new local production centers and unique regional styles documented in the archaeological record. |
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Helena Gonçalves PintoPresentation Title: “Ceramics and Thermalism: Itinerary and Imaginary” This lecture explores the vital role of ceramics in thermal culture from the Middle Ages to the present day, highlighting its impact on architecture, scientific advances and artistic expression. It examines the evolution of ceramic applications in thermal baths, palaces, hotels and gardens, where materials and textures create unique atmospheres. The discussion also focuses on the world’s oldest thermal hospital in Caldas da Rainha, and emphasises the integration of this heritage into global networks, promoting appreciation, innovation and cultural exchange. |
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Salvador HaroPresentation Title: “Picasso, Ceramics and the Mediterranean” In this lecture, Salvador Haro explores Pablo Picasso’s engagement with ceramics, highlighting his profound understanding of Mediterranean ceramic traditions and how he balanced modernity with tradition. Picasso’s ceramic works reflect key elements of Cubism, such as dimensional shifts and the interplay between reality and representation, while also drawing inspiration from classical antiquity, Spanish Hispano-Arabic ceramics, and popular Mediterranean traditions. By blending these influences, Picasso made his avant-garde concepts more accessible, emerging as a pivotal figure in the evolution of modern ceramics. |
SUB-THEME 2: “Ceramics in Contemporaneity: Reality, Relations and Confrontations in the Mediterranean World” |
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Bela SilvaPresentation Title: “Paving the Way” The presentation delves into the enriching yet challenging journey of creating art across international borders, profoundly influenced by a variety of diverse cultures. It reflects on how these global experiences have shaped and enriched the artist’s work. By exploring her multidisciplinary approach, the presentation highlights her extensive exhibition history, including notable shows in prestigious venues around the world. Additionally, it underscores her collaborative efforts with architects and brands, illustrating how these partnerships have further expanded and diversified her artistic practice. |
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Ossama EmamPresentation Title: To be confirmed. In this presentation, Ossama Emam explores the ancient techniques behind the metallic reflections and lustre in Egyptian ceramics, revealing the materials and processes used to create these shimmering glazes and examining the cultural significance and artistic evolution of these traditions, highlighting their impact on Egypt’s ceramic heritage. |
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Shamai GibshPresentation Title: “Cultural Heritage: Contemporary Interpretation of Mediterranean Traditions Using Terra Sigillata & Luster” Shamai Gibsh’s presentation explores the evolution of pottery techniques from ancient times to contemporary practices, focusing on the Beit Yerah site’s early terra sigillata methods and the development of luster techniques from Egypt to the Iberian Peninsula. The work connects these traditions to the artist’s own practice, which transforms clay into conceptual objects that balance abstraction and form. Employing ancient Hellenistic and luster techniques, the artist experiments with wild clay from around the world, continuing the innovation in these time-honored practices. |
Programa
Programa Congresso AIC 2024
(read more...)Thematic Presentations
The conference programme features 12 Thematic Presentations.
(read more...)Breakout Sessions
The Congress includes 24 Breakout sessions by IAC members.
(read more...)